.....
This is a difficult experience to describe.
Perhaps the best way to explain Thomas Riccio's
cyber ritual 'Kartasi' in clumsy written words is: a
live-action Zelda. Forgive me Mr. Riccio-that
description is entirely inadequate.
..... "Kartasi" is definitely not your mother's theater. It is unlike anything I have ever seen. I will
admit that I was more than a little wary when I
entered the theater-not knowing quite what to
expect from the mind of the man who brought us
six-foot penises and tap-dancing vaginas (which,
thankfully, do not grace "Kartasi's" stage).
..... The concept is a bit frightening. "Kartasi" is a
video game elevated practically to a religious ceremony. Director/writer Riccio, perhaps profoundly,
feels that computer and video games are "contemporary manifestations of a ritual urging that lives
deeply, hardwired, in all of us." So perhaps those
endless hours spent playing Halo or Grand Theft
Auto are indeed not in vain. See all the wonderful
stuff you can learn in college?
..... Trite cynicism aside, Riccio's idea is fascinating. A student of ritual and indigenous performance, Riccio has taken the next anthropological
step: moving back, placing his own culture firmly
under the microscope. What he has revealed is our
deep-rooted need for heroes and order and, indeed.
mythology satisfied by pixels and sprites and one-
ups.
..... Concept in theater. however, is not everything.
Visualization is key. and Riccio's concept is difficult to visualize. The production does have many
promising steps in the right direction. Form follows theme and many video game archetypes are
cleverly spread throughout: a flash screen at the
beginning of the "game" introduces characters and
plot; exaggerated movements are constantly repeat-
ed when the characters are idle; "loading is
displayed between scenes; and Kartasi's life count
is reduced every time he dies. Many of these elements, while imitating video games brilliantly,
were utilized half-heartedly, giving a haphazard
feel to the production.
..... Typical of video games. the plot is ambiguous,
getting the heroes as quickly to the battle front as
possible. Without the lengthy back story, the action
follows Kartasi as he seeks his mate Virgo. who
has been captured by Slime, a hideous member of
the Supra Civis-outcasts relegated to the Rife
Vallis who zealously protect the Story, which
brings balance and power to their crumbling existence.
|
Rose Jensen,
as Kali the
Warrior, gets
close to Jon
Ward as the
title character
Kartasi in
Thomas
Riccio's fantasy play
"Kartasi,"
showing this
weekend in
the Salisbury
Theatre.
-photo courtesy
of Kade
Mendelowitz.
|